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Showing posts with label Alison DeLuca. Show all posts
Showing posts with label Alison DeLuca. Show all posts

Sunday, October 12, 2014

The Importance of Adult Reading Buddies

As I'm learning to read more analytically as a writer, I realize that it is also important to me to continue to have adult reading buddies that may or may not focus on analyzing the writing of what we read.

I have a teacher friend who I consider my Book Buddy. While we both love reading, we might like slightly different kinds of books. Hannah opens my eyes to new things through her recommendations - and therefore new thoughts that may become fodder for my future writing. You never know.

Hannah recommended Rin Tin Tin: The Life and Legend by Susan Orlean. Although I am a big time dog person, this wouldn't be the kind of book I'd ordinarily read. However, I learned a lot of (to me) interesting history through this book - the orphan trains in America, the origins of the German Shepherd breed, tidbits about World War I that I never knew, tidbits about Hollywood's early film days. It expanded my horizons, which can only help me as a writer.



Another teacher friend and I gush about all things MG or YA. Jasmine is just as deadly in a book store as I am, and I haven't asked her, but Amazon might thank her personally like they do me. Every time I finish an awesome MG or YA book, I know I can rave to Jasmine and she'll understand and rave even more. She raved about R.J. Palacio's Wonder a while back and I can't believe I still haven't read it! I know I will find not only new thoughts in it, but it will be great to analyze it as a writer.


I'm currently reading The Cobweb Bride by Vera Nazarian, also recommended to me by a friend and fellow book lover/writer (Alison DeLuca). Now this is the kind of book I'd pick up and read in a heartbeat - fantasy, intriguing title and cover. And I did get this on Kindle quite a while back. Just hadn't read it. I was hedging because, honestly, you never know what you're going to get with Kindle books. I have read true drivel, and worse, irritatingly non-edited self-published books. I say that knowing that my own writing will probably be viewed as true drivel and/or irritatingly non-edited at some point. And I say that understanding that as writers, we all have to start somewhere. And I am glad that so many have started their writing adventures - very much so. But it also adds to the titles that you have to wade through that are not quite . . . finished.

The Cobweb Bride is not like that. So far, anyway, and I'm about half way through it. Again, I might have put this book down a little way in to it if not for Alison's recommendation. Why? Because it's a zombie book. No, it's not, really. But it is. I mean, it has people in it who should be dead but aren't. But saying Cobweb Bride is a zombie book is like comparing the Mona Lisa to a paint-by-numbers Mona Lisa. They are both paintings, but the masterpiece has infinitely more detail, delicacy, subtlety, nuance, emotion and intelligence.

I wouldn't have read it if someone had told me it's a zombie book. It's not. Not any more than your Great Aunt Sophie's paint-by-numbers Mona Lisa is the real thing. So read it. The book, not your Great Aunt Sophie's paint-by-numbers.

Point being, Nazarian's concept and implementation of the concept of Death and hence the plot, is phenomenal. Creativity plus skill. It opens my thoughts to how I can think and stretch creatively as a writer to new ideas and concepts. It makes me think about how we can help our students do that. My reading buddy spurred me to all of that.

My next book up is from my Book Buddy, Hannah. She has let me borrow Lisa See's Shanghai Girls and Gail Tsukiyama's Women of the Silk.  Again, neither are the sort of book I would pick up and read on my own. I tend to get stuck in MG/YA and fantasy, as well as Native literature. But I can't wait to find out what new information, world views, perspectives, concepts and tidbits I will discover.

                                             

And after those, Wonder!  Because MG/YA.






Sunday, August 17, 2014

Summer Learning

This summer, I spent a lot of time improving my writing knowledge, meaning the craft of writing. I am a Literacy Coach and Reading Specialist and have written creatively for years. While I am definitely capable of communicating effectively, that doesn't mean I have a lot of knowledge about the craft, the art, of writing. I need to learn more. I think most writers realize they need to learn more to hone their skills. Since I am interested in writing for children, I sought resources specific to that niche.

One of the best sources of information for writing for children is the Society of Children's Book Writers and Illustrators. In addition to a slew of resources, they also have amazing discussion boards where you can ask almost anything and get very helpful answers from the authors who also belong to SCBWI. I got great tips and suggestions (and more resources!) for writing picture books from the fab folks on the discussion boards.

I also participated in Kami Kinard and Sudipta Bardhan-Quallen's Kid Lit Summer School (part of the Nerdy Chicks Write blog) focusing on character. It was fabulous! There were great webinars, #30mdares and daily blog posts by guest authors designed to deepen our character knowledge.  And it was free! Yep. F.R.E.E. I found the exercises and daily focus on character really helpful. You missed it? Don't worry - they are going to do it again next year! And you can also sign up for their blog Nerdy Chicks Rule.

I've also found a few great books (they were recommended to me and are spot on):

The Kick-Ass Writer by Chuck Wendig - for writers of any genre
Writing Picture Books by Ann Whitford Paul - specifically for picture book writers, but useful by any children's book writer
The Plot Whisperer, Secrets of Story Structure Any Writer Can Master (also has a workbook) by Martha Alderson - for writers of any genre

And of huge import - I reached out to my friend Alison DeLuca, author of The Crown Phoenix Series, for help revising and editing my picture book manuscript. No matter what other resources you seek out, it's vital to take that scary leap and have others read your manuscript. The key is they must be people who will give you honest feedback. Wherever the manuscript sucks, I want to know it so I can make it better. Thank you for that, Alison. And now it is ready (Well, you know. You can only tinker so much. After you've tinkered for months.) to submit to Lee & Low's New Voices Award. Scaaaarrryyy!

Happy writing, photographing and end-of-summer, everyone!